{"id":355,"date":"2010-01-10T16:00:38","date_gmt":"2010-01-10T14:00:38","guid":{"rendered":"http:\/\/locus-solus-fr.net\/?p=355"},"modified":"2010-01-15T10:40:56","modified_gmt":"2010-01-15T08:40:56","slug":"dimanche-en-jazz-1","status":"publish","type":"post","link":"https:\/\/www.locus-solus-fr.net\/?p=355","title":{"rendered":"Dimanche en jazz 1"},"content":{"rendered":"

<\/p>\n

[audio:http:\/\/home.scarlet.be\/~th046862\/zk\/de01a.mp3]<\/p>\n

Duke Ellington and his Orchestra<\/strong>
\nJungle Nights in Harlem<\/em>
\nFreddie Jenkins, Arthur Whetsol, Cootie Williams (tp) ; Juan Tizol (vtb) ; Joe Nenton (tb) ; Johnny Hodges (sa) ; Barney Bigard (cl) ; Harry Carney (sb) ; Duke Ellington (p) ; Fred Guy (bj) ; Wellman Braud (cb) ; Sonny Greer (bt). New York, 4 juin 1930.<\/small><\/p>\n

Jungle Nights in Harlem<\/em> n\u2019appartient pas nomm\u00e9ment au r\u00e9pertoire ferroviaire du jazz, au m\u00eame titre que Take the A Train<\/em> (du m\u00eame Ellington), Blue Train<\/em> (Coltrane), Night Train<\/em> (Oscar Peterson) ou Locomotive<\/em> (Monk). Cependant, le riff entra\u00eenant qui surgit \u00e0 la 45e<\/span> seconde \u00e9voque \u00e0 s\u2019y m\u00e9prendre la traction d\u2019une locomotive, tandis que le decrescendo qui conclut la pi\u00e8ce sugg\u00e8re le ralentissement d\u2019un train au moment de son entr\u00e9e en gare, avant le jet de vapeur final. De tous les grands chefs d\u2019orchestre \u2013 arrangeurs des ann\u00e9es 1920-1930, Ellington est celui qui ma\u00eetrisa le mieux les contraintes de dur\u00e9e li\u00e9es aux fatidiques trois minutes d\u2019une face de 78 tours. Le morceau \u2014 comme beaucoup d\u2019autres joyaux de l\u2019\u00e9poque \u2014 est impeccablement construit, \u00e0 la fa\u00e7on d\u2019un court m\u00e9trage, a-t-on envie de dire; sa progression est irr\u00e9sistible. Et les interventions de Freddie Jenkins \u00e0 la trompette, d\u2019une r\u00e9jouissante extravagance, font souffler un vent de folie digne d\u2019un cartoon de Tex Avery. Utterly exhilarating<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

[audio:http:\/\/home.scarlet.be\/~th046862\/zk\/de01a.mp3] Duke Ellington and his Orchestra Jungle Nights in Harlem Freddie Jenkins, Arthur Whetsol, Cootie Williams (tp) ; Juan Tizol (vtb) ; Joe Nenton (tb) ; Johnny Hodges (sa) ; Barney Bigard (cl) ; Harry Carney (sb) ; Duke Ellington (p) ; Fred Guy (bj) ; Wellman Braud (cb) ; Sonny Greer (bt). New York, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[296,58],"class_list":["post-355","post","type-post","status-publish","format-standard","hentry","category-dans-les-oneilles","tag-duke-ellington","tag-jazz"],"_links":{"self":[{"href":"https:\/\/www.locus-solus-fr.net\/index.php?rest_route=\/wp\/v2\/posts\/355","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.locus-solus-fr.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.locus-solus-fr.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.locus-solus-fr.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.locus-solus-fr.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=355"}],"version-history":[{"count":0,"href":"https:\/\/www.locus-solus-fr.net\/index.php?rest_route=\/wp\/v2\/posts\/355\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.locus-solus-fr.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=355"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.locus-solus-fr.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=355"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.locus-solus-fr.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=355"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}